sushi nyc

New York City has a serious sushi obsession. And rightly so, considering it was here that Americans, some forty years back, first tasted the inimitable combination of raw fish and vinegared rice.

Only in the past few years, however, has the sushi trend really exploded. Now, new Japanese restaurants pop up literally weekly; Chinese, Thai and Korean restaurants have begun installing sushi bars as well, apparently courting the "all Asian people look the same to me anyway" corner of the market; even corner delis have gotten into the act, stocking their refrigerators with (rather disturbingly aged-looking) inari and California roll.

The question, then, is no longer "where do I find sushi?", but "where do I find good sushi?" Hence this guide. Armed with an expense account and fond, fond memories of the sushi I ate while living in Japan, I dined around New York City in search of the very best maki and nigiri, then summarized the best of the bunch herein. Itadakimasu!

Unbeatable:

After hitting nearly thirty-five different restaurants, three stood head and shoulders above the rest. Predictably, they aren’t cheap. However, sushi, even at its most expensive, is still well short of haute cuisine prices – a dinner at any of these three restaurants can be had for about $60 a head.

Sushi Yasuda (204 E 43rd St, 212.972.1001):
Without a doubt Sushi Yasuda is the king of New York City sushi. I said so when I first reviewed it, shortly after its opening two years back, and this year’s Zagat (unfortunately, from a reservations perspective) officially agreed. Chef

Maomichi
Yasuda, (who trained at Hatsuhana at the same time Nobu’s Nobu Matsuhisa did, though now takes a much more traditional approach then his colleague),
starts with one of the city’s widest assortments of extremely
fresh fish, then serves up slightly smaller than average
pieces that literally melt in your mouth. Along with the
flawless sushi, try the nameko (mushroom) miso soup to start
and certainly don’t miss the green tea mochi ice cream for
desert. The perfection is in the details: the chefs vary
the size of the sushi according to the size of diners’
mouths; a different type of tea is served with each course;
the minimalist blond wood decor perfectly reflects the simple
perfection of the food. Book in advance, or learn
Japanese and kiss up to the Maitre D’ (my favored approach).

Tsukiji Sushisay (38 E 51st St, 212.755.1780 ) :
Exceedingly good sushi that comes in a close second to Sushi Yasuda. The sushi chefs at
Sushisay are required to train for a minimum of five years at the
restaurant’s Tokyo branch, which pretty much sums things
up – sushi doesn’t get more authentic than this. With
a beautiful back room, Sushisay also makes a great location
for small private parties or business functions.

Nobu / Nobu Next Door (105 Hudson St,

212.219.0500)
The sushi itself is perhaps a notch down from Sushi Yasuda’s
and Sushisay’s, and trying to book a table is a great reminder
that you’re not an important person, but the exceedingly inventive fusion dishes help Nobu
(and the essentially identical Nobu Next Door) live up
to the hype. As pretty much every restaurant guide says,
go "omakase," and take whatever the chef recommends.

More for the Money:


Fortunately, there’s excellent sushi to be had at a slightly lower price-point as well; both of these mini-chains serve up dinner for about $25 a person, even without a reservation made weeks in advance.

Haru (205 W 43rd St / 280 Park Ave / 433 Amsterdam Ave / 1327 3rd Ave)
In a word: reliable. The selection isn’t unusual, but the nigiri is always expertly prepared, extremely fresh, and reasonably priced. Nota bene: The lines are considerably longer at the (original) 3rd Ave location, though the food is equally good at any of the four.

Yama (

122 E 17th St /

38-40 Carmine St /

92 W Houston St)
The lines can be (literally) around the block, and the atmosphere is more trattoria than traditionally Japanese, but the sushi is excellent, ridiculously large (perfect for those who complain about not feeling full after a sushi dinner) and fairly priced. The appetizers, too, are well above average – consider the

Japanese eggplant with miso paste for a start.

Bargain Basement:

If you’re jonesing for sushi but will be paying with assembled change rather than dollar bills, either of these places can scratch the raw fish itch for under $10.

Takahachi (85 Ave A)
Worth the trip down to Alphabet City, as there’s certainly a lot of sushi for the money. As you might expect, lines can get ridiculously long later in the evening, so it’s best to either go early, or resign to the wait. While their sushi is remarkably good for the price, there’s also an assortment of similarly wallet-friendly high-quality non-sushi entrees – the beef sukiyaki and tempura soba, for example, are both strong choices.

Go Sushi (982 2nd Ave,

511 3rd Ave,

3 Greenwich Ave, 756 9th Ave)
Frankly, their sushi isn’t terribly good, but for sushi dinners starting at $6, what do you expect? The fish is fresh if somewhat inexpertly prepared, so while your palate might suffer the lack of quality, your intestines won’t.

Not Sushi:

Believe it or not, the world of Japanese cuisine extends beyond the sushi bar. While a full summary could easily justify another entire article, here are two excellent (though not sushi-focused) spots more than worth the trip:

Saka Gura (211 E 43rd St.)
This one’s a bit tough to find, as it’s located in the basement of a nondescript office building. Brave the fluorescent lights in the building’s entry and the industrial concrete steps heading down, however, and you’ll enter another world entirely – a slice of 18th century Japan. More importantly, a slice of 18th century Japan that serves up the city’s largest selection of Sakes. Try the tasting sets, which give you little glasses of three or four
different vintages; if you’re looking for food as well, it’s all very authentic – the best bang for the buck are the exceedingly large bento boxes, a favorite with the Japanese ex-pat crowd.

Hyotan Nippon
(19 W 52nd St.)
Like sushi, Japanese noodles (soba and udon) can be found all over the city. Nowhere, however, are they served better than this. Nippon makes their noodles in-house, using buckwheat and rice imported from their own fields and paddies. On icy winter days, take the noodles in soup to warm you through; conversely, noodles served cold are a traditional Japanese summer dish. The only danger: after eating here, you may no longer be able to stomach your corner noodle shop’s pale-by-comparison attempts.

on making potato latkes

It is the fourth night of Chanukah and my apartment is empty, my roommates having gone off to their respective families for Christmas. The block of 51st Street outside my front window is oddly quiet as well, as if my neighbors have left to make room for the holiday inflow of tourists that swarms our little island, packs Times Square and Rockefeller Plaza, both a few blocks away.

It is nearly 7:00, and though the sun has set two and a half hours ago, I am only now getting ready to light the menorah. It is a traditional one – wrought brass, burning oil rather than candles. I fill the four rightmost cups, then the shamash, the taller ‘helper’ flame, placing a floating wick in each. I recite the prayers, rote, in Hebrew: Blessed are you, Hashem our God, king of the universe, who has sanctified us with his commandments, and has commanded us to kindle the light of Chanukah. Blessed are You, Hashem our God, king of the universe, who wrought miracles for our forefathers in those days at this season.

Carefully, I lift the menorah from the stovetop and carry it over to the kitchen window, placing it facing outward, so that passersby on the street below can see it. I turn off the overhead lights, and stand for several minutes in the dark, watching the five smalls flames flicker, leap, and dance for their reflections in the pane of window glass.

:::

I sit down at my desk, intending to slog away at a pile of work, but instead drift into thought about Chanukah – or, more accurately, about Chanukahs past. About, as a child, standing in the kitchen with my family, crowded around several lit menorot, singing. About laughing and clowning in the living room as we exchange gifts – my mother, every year without fail, affixing all the bows pulled from any of our gifts to her hair. About sitting around the table, eating the traditional Chanukah latkes – potato pancakes cooked in oil.

And, unexpectedly, I’m swept by a wave of homesickness, a sudden welling burst of holiday loneliness. I decide the only thing I can do is to create some Chanukah joy in my own home. I decide, in fact, that I’ll make a batch of latkes myself.

:::

It occurs to me, however, that I’ve never actually made latkes. Certainly, in years past, I’d always helped my mother prepare them, but my assistance was solely limited to peeling potatoes. Still, I reason, latkes certainly aren’t a complicated dish: coarsely grated potato, onion and egg, pan-fried in lots of oil. I should be able to handle it. I call my parents home to inquire about the proportions – how many eggs exactly? – but as they’re out, I decide to simply fake it.

:::

Walking to the Food Emporium, I realize the unfolding latke misadventure might make for good reading. And, at first, the idea gives me pause. I wrote online for years before even obliquely referring to Judaism. Posting about the topic still makes me vaguely uncomfortable, as if it’s something I shouldn’t share, or at least shouldn’t advertise, about myself. We Jews are a culturally paranoid people – it’s easy to think everyone’s out to get you when, for centuries, they were. These days, bludgeoned as children by hundreds of Holocaust documentaries, we grow up with the message that, sometimes, being publicly Jewish can be rather bad for your health.

With a bit of thought, however, I conclude my tacit ‘don’t ask, don’t tell’ policy simply supports anti-semitism. Instead, I decide to push for understanding through openness; if Chanukah is something I’m thinking about, a part of who I am, certainly, I should be willing to share that.

:::

I return from Food Emporium with five exceedingly large potatoes, one large onion and a dozen eggs. Setting them out on the counter, I wash my hands, then scrub down each potato thoroughly. The peeler isn’t in the drawer where it should be, and I spend several minutes searching for where my roommates might have placed it. Eventually, I find it – an OXO Good Grip, courtesy of my father, who is obsessed with kitchen gadgetry.

I peel the potatoes over the sink, thinking about the years of potatoes peeled in my parents house. Perversely, I miss the old, less-effective peelers we owned when I was still very young – sparely built metal ones, with orange plastic handles. I have a sudden flashbulb memory of rummaging through the drawer to find them, looking for one of the two right-handed peelers rather than the left-handed one. Which, it occurs to me, was a rather odd possession, considering that my entire family is right handed.

:::

Quartering the peeled potatoes, I place them into a bowl of water to keep the air from turning them brown. Then, without the Cuisinart we always used in my parents’ house, I pull out a metal hand-grater, and begin coarsely grating the first potato quarter. I’m careful with my strokes, watching out to keep my knuckles from dragging across the sharp edges, but it is still repetitive, vaguely meditative work.

In the quiet, I begin to think about the story of Chanukah. Or, rather, about the stark difference between the version we Jews learn as children, and the full, historically accurate one that some of us discover as adults. Observe:

The kid version: An evil Greek ruler, Antiochus, tries to destroy the Jewish people. He takes over the Jew’s holy temple and turns it into a shrine to himself. The brave Maccabees, led by Judah "The Hammer", revolt, fight back, and eventually win, reclaiming the temple. The ner tamid – the temple’s eternal, holy light – has been extinguished, and all the vessels of oil (used to fuel the light) have been shattered. After much search, a single intact vessel is found; though it should last only one night, it miraculously burns for eight, long enough to harvest and press enough olive oil to keep the light burning.

The adult version: The majority of Jews are – much like today – highly integrated into Hellenic Greek culture. They make major contributions to the arts, science and philosophy, and are increasingly involved in sports and popular culture. The Maccabees belong to a violent fundamentalist minority group, the Hasmoneans; they travel around, using violence and murder to coerce integrated Hellenistic Jews back to a segregated, traditionalist lifestyle. Antiochus comes to power, and people recognize him as basically a nut-job – I mean, the guy renames himself Epiphanes (meaning, literally, ”god made manifest’), believing he is a human incarnation of the god Zeus. As a result, he takes stupid military risks, which, combined with the fact that everybody is out to kill him, leads the Hellenistic Jews to figure he won’t last long. Further, while he does ask the Jews to bring him offerings recognizing his divinity and put his picture up in their temple, he’s otherwise fairly tolerant, and certainly never violent towards the Jewish people. They therefore decide to simply ignore Antiochus for a couple of years and wait for him to get himself killed, letting things return to their previous, unharried state. The Hasmoneans, however, have other ideas. They organize a military revolt and take Jerusalem by military force (causing Antiochus’ troops to defile the temple in retreat). The victorious Hasmoneans then secede from Greece and revert the country into a fundamentalist state, cutting off outside communication, outlawing much of the intellectual progress made by Greek Jews, and more or less setting the Jewish people back a couple hundred years.

In other words, if the Chanukah story played itself out again today, I doubt I’d be rooting for the Maccabees. And I certainly wouldn’t be frying up potato pancakes in their honor.

:::

I grate as I think, and after several minutes I’ve made it through the first two potato quarters, knuckles unscathed. Still, I regard the bowl of potato quarters skeptically, trying to avoid estimating how long all that grating is likely to take. Suddenly, it occurs to me that perhaps I do own a Cuisinart. I seem to vaguely recall my parents shipping me their old one a few years back when they replaced it with a newer model. While I’ve never before used it, I can sort of picture unpacking it from a box full of styrofoam peanuts, and so begin diving through the back of less used cabinets.

To my delight, I find the Cuisinart wedged between an unused toaster and a coffee maker (the result of three roommates worth of appliances moving into one kitchen). I dust off the body, wash out the top, then plug it in. Gaining a whole new appreciation for the miracles of technology, I polish off grating the remaining eighteen potato quarters in less time than it took me to hand-grate the first two.

Pouring the grated potatoes into a strainer, I wash off the starch, then dump them into a large bowl. I’m amazed by the amount of grated potato generated from the five potatoes I started with – the bowl is nearly overflowing. I can’t help but laugh, thinking my mother would be thrilled, serving waaaay too much food being the hallmark of Jewish-motherhood.

Once I’ve peeled and Cuisinart-ed the onion, I decide to dump everything across to a soup pot – the largest container I own – lest I spill over the edge while mixing. I crack in one egg, then another, stirring them through with my bare hands. The mix looks about right, so I pull out a pan, fill it with olive oil, and put it over a burner at high heat.

:::

As the oil begins to sputter and sizzle, I start to reconsider my Chanukah objections. Certainly, I appreciate any number of other Jewish holidays whose origins seem a bit dodgy to me. Consider the holiday of Yom Kippur, the ‘day of atonement’: while I do believe in some sort of underlying ‘force’ in the universe, I certainly don’t believe some old guy with a long beard is sitting up there in a chair, judging on that holiday whether I’ll be smote in the coming year because I’ve eaten too much shrimp. Still, come Yom Kippur, I pray and I mean it. I’m pleading for forgiveness – perhaps not from ‘God’, but certainly from the best, most Godly part of myself. Which is to say that, though I don’t take the Torah literally, I do take it seriously. I never cease to find value in Jewish tradition, in Jewish practice, no matter the underlying motivation that brings me to it.

Which, frankly, isn’t too unusual. After all, Judaism is a religion that values action over faith, sort of a "feel the doubt and do it anyway" kind of deal. Even the word ‘Israel’ itself means ”he who wrestles with God’. In other words, questioning, considering, doubting – they’re all at the heart of what it means to celebrate a holiday as a Jew.

:::

With the oil bubbling, I pack the first latke – balling a small handful of the potato mix, flattening it out, then tossing it into the pan. Though it sizzles and browns nicely, when I try to flip it, it disintegrates, turning from latke to hash brown. I figure the mixture needs a few more eggs, and crack in another two.

The next pass works a bit better – the latke stays together through flipping – though I seem to have packed it a bit too thick, as the outside singes before the center is cooked through. I toss three thinner latkes in, pour in a bit more oil and let them cook. They come out golden brown, not quite crisp. I lay them on a paper-towel-covered plate to soak up excess oil, then break off a piece of one. It’s still hot from the pan, and I burn my mouth slightly on the first bite, but don’t mind at all. It’s absolutely delicious.

:::

Once I get the hang of it, I fall into latke autopilot, quickly browning up the rest of the batch. I realize I’ve neglected to buy sour cream or applesauce, and so am left to down a plateful straight, no chaser.

Still, I enjoy them, in part because they’ve come out much better than I’d have expected, in part because they taste like Chanukah to me, because they taste like home.

photo fiction

 

He only thought about her when the weather turned cold, when the sudden appearance of fur-lined boots clomping on pavement, of breath steaming visibly from lipsticked mouths, of wool gloves and scarves rustling quietly against thick winter jackets added together to conjure up her memory.

Even then, she came to him in pieces: the soapdish hollow of her clavicle. She came to him in sideways glances: pretending not to look back over her shoulder as she tossed her hair. She came to him as single words spoken, as textures he could almost feel pressed against his fingers.

When she came to him like this, he would stop midstride, concentrate, try to coalesce the parts of her into a full, vivid whole, before the jostling passersby could bring him back to the present, where he stood alone on the sidewalk, feeling oddly hollow, a dull, cold pain in his stomach, his throat, his chest.

 

the hell’s kitchen museum of curious deaths

Welcome to the Hell’s Kitchen Museum of Curious Deaths! Or, at least, to the online version of it. In fact, the HKMoCD initially existed in the real world, in our fair apartment at 360 W. 51st St., New York City. It was located there for just one evening, as the backdrop of our Halloween shindig, the Hell’s Kitchen Museum of Curious Deaths All Hallows Eve Tour and Punch Party. We went full out for the event, repainting walls, removing all the furniture, tweaking every detail possible for the most complete transformation.

The following afternoon, as we slowly sobered up, we began to realize that, at some point, we’d probably need to put back our couches, beds and bookshelves. Having expended too much time and energy to simply scrap the Museum’s content altogether, however, we decided to recreate the experience online. That’s what’s going on here.

Even More Introduction

The Museum was in large part modeled after the New York Tenement Museum, so it depended significantly on the atmosphere of the apartment itself, rather than simply upon the exhibits presented. Sadly, given the limitations of the web medium, we can’t recreate that here. We have, however, as a bare minimum, included below the floor plan of the Museum, as posted near the Museum’s entrance:

hkmocdplan.jpg

In the real world, the Museum’s exhibits were broken down by room, with each representing a major inhabitant in the apartment’s history: first the McGuinn family (from 1856-1906), then Joseph Leibenz (1907-1954), and finally “Gay Johnny” in the modern era. Online, mainly due to laziness, we’ve lumped the exhibits together as one unmanageably long page of text.

None the less, we hope you’ll enjoy the show.

McGuinn Family; The Builder of 360 W. 51st St., 1856-1906

Seamus McGuinn was born in 1810 on the southeastern coast of Ireland in the small town of Kinsdale, near Cork. McGuinn first came to the states in 1830 as a deckhand on board the Caelan Kavanaugh, a merchant ship that regularly sailed the north Atlantic route. In 1834, he married a woman in Newton, Massachusetts, though she died just seven months after their marriage, in the cholera epidemic that swept through Boston that year. McGuinn later joined the Royal Steam Packet Company of Dublin and was promoted to boatswain, sailing the charter voyage of a new route to New London and New York.In 1846, McGuinn became captain of the Fiona Iverna, a clipper with regular service between Dublin and New York. At that time he was nationalized as an American citizen, and moved into a shared townhouse on the corner of Bethune and Washington in the far West Village. He was a popular fixture of the neighborhood, as his name was listed on the register of several private drinking establishments, one of which, on the corner of Perry and Bleeker, was known to be a brothel.In 1852, a disagreement over a cockfight sent McGuinn looking for housing in the area outside of what was then the city. He built a large wood-frame structure on a parcel of land on the current 50th street and 10th avenue block. The area was still being used as farmland at the time, but as the streets were laid out, businessmen bought up parcels of the land. McGuinn settled there with a group of seamen who were eager to purchase land and establish homes away from their work. They purchased a small farm from a Dutchman named Dekker and subdivided the property. McGuinn lived in a wood frame structure he built there, until it burned in 1855.During that time, McGuinn fell in love with Dekker’s daughter, and on his 45th birthday, he married the 17 year old girl, Wilhemina Dekker, known as Winnie. He wrote of her often in his diary and bought her fine items of clothing.

1856: Movin’ on Up

When, in 1855, their home was destroyed by fire, Seamus and Winnie decided to build a multi-family dwelling for upper-class Irish nationals. They constructed the building currently located at 360 West 51st Street and moved into the first floor apartment. Winnie soon insisted that they move into an apartment further from the street noise, but not so high that they would have to walk up many flights of stairs.Soon after the building was completed, Winnie gave birth to two twin girls, both of whom were stillborn. Seamus insisted on a male heir, and though he believed his wife to be hysterical with grief over the deaths of the twins, he insisted on a male heir. Subsequently, Winnie gave birth to two daughters, Rhiannon and Treasa and a boy, Hamish.In 1867, Seamus was murdered under unusual circumstances. Suspects were numerous, as many in the community resented his wealth and prosperity, rare for an Irishman at the time. Among the suspects were his own wife, who resented both her servitude to him and the age difference between them, and his son Hamish, who cared deeply for his mother Winnie, and loathed his father’s tyrannical dealings with her. Seamus was murdered with the spindle of a spinning wheel, gouged through his skull, between the eyes

1878: Movin’ on Out

Following his father’s death, Hamish took ownership of the apartment, where he looked after his aging mother. His sisters moved into a residence nearby, and Hamish purchased a dry-goods store with part of his inheritance that all three children helped run. Hamish began taking classes at Columbia College, preparing for a degree as an accountantAfter a torrid affair with a Barnard student, who later committed suicide, Hamish dropped out of classes. He subsequently squandered his inheritance in the bars by the port, seeing his sisters increasingly infrequently. In 1874, his mother Winnie died of neglect. Hamish became a drifter, finding his way to the American/Canadian border, then vanishing completely.

Caoilainn and Fionna McGuinn, 1857

The twin daughters of Seamus and Wilhemina McGuin were stillborn in 1857. Wilhemina insisted on naming the infants Caoilainn and Fionna, claiming that

household vignettes

While here in Palo Alto, I’m staying at my parents house – in my old room, in fact, though by now my mother has co-opted the space into her office, replacing dressers with file cabinets, piling her paper and research materials onto my emptied bookshelves. The room’s front window has been replaced by a much larger one, the overhead light changed, but my bed still dominates one corner of the room, exactly where it sat when I was growing up.

Working from home during the day, between calls and emails, I catch myself simply wandering around, gauging the feel of rooms, of closets, corners and small spaces. Absently, I pick up old knick-knacks to test their weight in my hands, to see what memories might be hidden inside. I crouch to feel the texture of our living room carpet, and can feel again the rug burns from wrestling around on the floor, afternoon after afternoon, with my younger brother.

A few things I noticed this morning:

1. Bedroom Tassel

Bedroom Tassel

My Freshman year at Yale, as first semester moved towards a close, my parents and I developed a running joke throughout my calls home. “I can’t wait to sleep in my own bed,” I would tell them, the dorm by then still not quite feeling like home. “Actually,” my father would reply, “we’re taking out your bed. I think we’re going to replace it with a Javanese Gamelan. But you can sleep on top of that.”

There were other, similar, threatened changes as well, and my response to all of them was the same: “I think you should keep the room unchanged, in perpetuity. Just hang a tassel from the ceiling and make the room into a shrine to me.” I was remarkably good-natured about it, I think – I even offered to let my parents keep the money made by charging admission to the shrine.

For a month or two, the joke played on: shrine vs. Javanese gamelan, et al. When I finally came home, dragged my duffel bag into my bedroom, and looked up: hanging from the ceiling was the much discussed red shrine tassel. Apparently, the week before my arrival, my parents had actually headed into Chinatown and picked one up.

To this day, the sight of that tassel makes me smile. It’s a reminder that, in my case, the inevitable turning into my parents might not be so bad after all. And that, no matter how office-ified my old room becomes, with the tassel hanging, it’s still, deep down, my very own shrine.

2. Backyard Playhouse

Backyard Playhouse

When I was seven, and my brother four, my father decided to build us a playhouse in the corner of our backyard. He built it himself – technically with my help, though I can’t imagine the seven year-old me provided much actual assistance. I do, however, vividly recall both painting the house’s exterior, then heading down to an airplane parts junkyard in San Jose, where we picked up a variety of cockpit parts (a control stick and wheel, a handful of mismatched gauges) which we mounted to the inside walls.

My brother and I spent countless hours piloting the house to the moon and beyond, defending it from oncoming imaginary hordes, or just hiding from our parents to secretly discuss whatever issues dominate the minds of six and nine year-old boys.

By now, the house is hidden away, tucked behind a bench and a small potted tree. Inside, the linoleum floor is peeling, covered with dried leaves, a few old toys still in a basket in the back corner. My head brushes the roof (at 5’6″, an unusual occurrence!). Still, in there, I can’t help but feel vaguely delighted, ready to head up to the moon, or just to cause juvenile trouble all over again.

3. Garbage Shed

Garbage Shed.

Towards the front of the backyard is a small roofless shed, gated off from the rest of the yard, to hold garbage cans and piles of recyclables. Before my parents replaced their wood-burning fireplace with a gas-burning faux-fire, we piled firewood out there, and the memory of constantly finding black widows in the pile still raises the hairs on the back of my neck whenever I open the shed’s gate.

I must admit, I’ve always been rather arachnophobic. Sure, I can play tough, carry out the requisite boyfriend duty of spider-removal. But the sight of those eight segmented legs always secretly makes me shiver. Other phobias, I’ve systematically, purposefully overcome – I initially took up climbing, for example, to conquer a fear of heights. But I’m happy to stay a bit scared by spiders. Or, rather, I don’t see any need to get buddy-buddy with them – I do my own thing, they do theirs, and we’re cool. Still, if I’m sitting in my parents backyard, and I notice the garbage shed’s gate is open, I’ll always head over to close it. Just in case.

david newman: the interview

It is Thanksgiving day, 3:42 pm. At 5:00, twenty-some guests will be arriving for dinner. My brother David, unshowered, in sweats and a pit-stained undershit, lies on the couch watching football, Green Bay versus Detroit. Detroit is winning, 13 to 7. In the other room, my mother is yelling for us both to come in and help set the table.

Me: Dave, mom’s yelling for you.

David: [silence]

Me: Okay. In that case, let me interview you for my website.

David: Nope.

Me: You realize I’m going to write about this either way.

David: [silence]

Me: So, basically, I should just say that you spend all day lying here, watching TV with your hand in your pants?

David: [turns to look towards me for the first time since I’ve come in. Winks. Goes back to watching TV.]

Fin.


Figure 1. Subject in Natural Habitat

color me clueless

Recently, I spoke with a female friend in the midst of planning out the repainting of her apartment. All the rooms would be white on three walls, she told me, with the fourth a different color in each. She then proceeded to list off the colors for various rooms – the bathroom, the kitchen, the bedroom – hoping to give me a sense of what the final results might look like. And while I nodded my head in understanding as she went through the list, expressed appreciation for the keen visual sense it clearly evidenced once she had recited through them all, I must admit I had absolutely no idea what she was talking about.

In short, we guys suck at color names. Sure, we might be able to tell you that ‘cerulean’, ‘periwinkle’, ‘aquamarine’ and ‘robin’s egg’ are all shades of blue; but if you were to line up four color samples, there’s not a chance in hell we’d be able to figure out which is which.

The problem, I suspect, stems from our Crayola’d youth. While most girls had the six-thousand crayon pack (the one with the little built in sharpener), we guys had the eight crayon standard. Inevitably, we’d even lose one, and not know the name for ‘orange’ until our early teens.

At which point, even if we were to studiously review every crayon out there, we’d still be doomed to fall horribly behind. Because, once high school rolled around, girls began to pore through the J.Crew catalog, the Banana Republic or L.L.Bean. And while we were just beginning to wrap our minds around the difference between ‘orange yellow’ and ‘yellow orange’, girls were contemplating ‘heather’, ‘oatmeal’ and ‘burnt sienna’.

Sure, a few lucky guys have caught up – graphic designers, for example, or professional painters. But even for them, I suspect it’s a bit like learning a foreign language; no matter how good your Swahili, you’ll never truly sound or think quite like a native speaker.

In other words, for even our best and brightest, we guys are pretty much a lost cause. We’d blush with embarrassment about it, but, frankly, we’re not entirely sure what color we’re supposed to turn.

underwear

For whatever reason, we guys often form bizarre attachments to pieces of clothing, strong emotional connections that effectively prevent us from noticing their increasingly well-loved condition. Favorite t-shirts yellow at the armpits, favorite jeans fray at the hems and zipper, yet we can’t possibly imagine actually retiring them. And nowhere is our love more apparent than with underwear; given the choice, we’ll keep washing and wearing a trusty pair of boxers until it’s disintegrated to nothing more than a waistband and a few hanging threads.

As women rarely hold such forgiving opinions of overly scruffy clothing (and underwear in particular), it behooves any guy with an eye towards impressing the ladies to (at least occasionally) view the contents of his closet (or, at least, his underwear drawer) with a cool and dispassionate eye. This very morning, I did so myself, examining each pair of boxer-briefs, and I’m afraid the results were not good:

Total Pairs: 11*
Pairs in Good Condition: 2
Pairs in Acceptable Condition: 1
Pairs with Weirdly Ruffled Waistbands (ed. note: due to elastic losing it’s stretch after too many washings): 3
Pairs with Small Holes: 3
Pairs with Holes in Front Large Enough that the Proverbial Mouse Might Escape the Proverbial House: 2

As much as it pains me to say it, I think it’s time for a serious drawer cleanout and underwear shopping spree.

* This is nearing the bare acceptable minimum number of pairs. Guys mainly do the wash only after running out of clean underwear, re-wearing all the cleaner looking pairs inside out, and then sometimes even wearing bathing suits as underwear. Clearly, then, the more pairs owned, the less frequent the need to do the wash.