In the past year that I’ve lived in my current apartment, nearly every single person coming to visit has cracked a joke about the hallway. Its not just that the hallway is bad – which it is – but rather that it also seems remarkably out of place in a building that is otherwise reasonably upscale.
Entering the building, for example, one passes through a two story high lobby, tastefully decorated with large pieces of Asian art. Then into one of the elevators, marble-floored and oak-walled. Upon the doors opening onto the 24th floor, however, one is suddenly transported from New York luxury building to mid-’70s Howard Johnson: faux-bamboo wallpaper, quasi-psychedelic orange/brown carpeting, and bizarrely overwrought and underlit lighting fixtures.
Sensitive to this issue, the building’s management has been gradually upgrading the halls – jumping ahead twenty years from ’70s HoJo to what strikes me as more of a mid-’90s Holliday Inn. About six of the floors have been converted, and so far as I can tell, there isn’t much rhyme or reason to the order in which they’ve been tackled, so I’m not sure to what I can attribute the luck of my floor being the latest endeavor.
Normally, I suppose, I would be excited at the upgrade. But as I’m only in the building for another few weeks, I don’t suspect I’ll get much time to enjoy the improvements. Instead, I simply get the intensive ongoing construction – tearing out the carpet, wallpaper and fixtures, re-wiring the lighting, adding a drop ceiling and wood moldings, re-painting, re-carpeting and re-wallpapering, and so on. If I’m working from home for the day (as I usually do a few times a week), I’m trapped in my apartment by the piles and piles of construction equipment and materials, serenaded by the sound of power tools and loud Springsteen-esque rock in various foreign languages. In the evenings, after everything has been cleared out, the entire hallway remains covered with a fine, asbestos-like dust of indiscriminate origin.
On the plus side, however, that same dust makes most of my shoes remarkably slippery on marble flooring, allowing me to skate out of the elevator, across the lobby, and onto the street with enough casually-effortless aplomb to make Nancy Kerrigan proud.